My Guitar Wants To Kill Your Mama - Frank Zappa - St. Patricks Day (CD)

The Q ranged from. This allowed Frank to control his feedback characteristics in any hall. He could basically tune his guitar to the room, find out how the room responded to the amplifier, and dial it up so he could have maximum control of the feedback.

That was the whole point behind the equalizers. But Frank also played a lot with his left hand, and in order to hear the nuances — the string presence — he'd have to bring the treble up, which is another thing he liked about the filters. He could pick high frequencies anywhere from 4k to 8k and bring out the nuances of the strings, so you could hear what his fingers were doing, even if he wasn't picking every note.

The Seymour Duncan humbuckers in Frank's Les Paul could be switched between single-coil, humbucking, or single-coil out-of-phase settings, and a toggle switch controlled whether the pickups were wired in series or parallel. A 9-position wafer switch afforded all the possible combinations. Because it's trying to convert AC to steady DC, it produces an abundance of a second harmonic.

It kind of feels like it's feeding back, because you play a note and instantly hear the octave. But any time you play more than one note, it does this horrible modulation stuff, which Frank loved. Zappa admitted to being "real fussy about equalization. I try to find one center notch that's going to emphasize certain harmonics, and ride it right in that area. As a matter of fact, I think I was one of the first people to use wah-wah.

I'd never even heard of Jimi Hendrix at the time I bought mine. In 77 he touted an "attractive little device" he called the Electro Wagnerian Emancipator, which he claimed combined a "frequency follower with a device that puts out harmony notes to what you're playing. You can have your choice of any 12 chromatic notes in four parts following your runs.

You can't play chords with it, but linearly it'll follow you whether you bend or whatever. Its main drawback is that the tone that comes out of it is somewhat like a Farfisa organ. He'd also incorporate the Synclavier into his stage sound, controlling it via a Roland synthesizer pickup. The only devices Zappa kept footside were a Rat distortion box and his CryBaby which were sent through a HushIIB noise reduction unit and a button stereo relay switcher, designed by David Robb, which directed Frank's signal to one of three or four amp setups and brought effects in and out as desired.

On the Mothers' debut album, Freak Out! For '70s al bums like Over-Nite Sensation, Apostrophe, and Zoot Allures, he generally relied on a simple Pig-nose for studio work, switching to Marshall watt heads and Orange amps for tours.

On the tour, according to Meri Saunders, Jr. All the amps had paralleled, hot-rodded inputs doubled into the bass channel, and each setup had a characteristic tone that Frank could blend in or isolate at will using his relay switcher. All the speakers were kept under the band riser pointing towards the rear of the stage, miked with Sennheiser s — and it was loud.

When Frank tore into one of his solos, Saunders says, it "felt like the stage was taking off. It was devastatingly loud, heavy, and feedbacky. Tuning was critical during a Zappa tour. In the studio, the raw guitar signal would be processed yet again.

As Frank told GP's Tom Mulhern in '83, the Dynaflangers could be set to follow the envelope of the high-frequency decay, rather than the amplitude envelope" for what he called a "pillowy effect. Zappa's live recordings usually included a track of direct guitar, and Vai recalls that in the studio Frank would "take the direct track and send it out to different amplifiers.

Then he'd pan those signals with all these odd sounds left and right. You'll hear, for instance, a really clean, flanged guitar on one side, on the other side a Pignose, and in the middle a gargantuan delayed Marshall, all with different reverbs.

That's all experimentation after the fact. In '88 his tone was scary clean and massive. Songstube is against piracy and promotes safe and legal music downloading on Amazon.

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Rock R. You know, your momma and your daddy Saying I'm no good for you They call me dirty from the alley Till I don't know what to do I get so tired of sneakin' around Just to get to your back door I crawl past the garbage and Your momma jumps out, screamin' ";Don't come back no more"; I can't take it My guitar wants to kill your mama My guitar wants to kill your mama My guitar wants to burn your dad I get real mean when it makes me mad Later I tried to call you Your momma told me you Unfortunately, we are not licensed to display the full lyrics for this song at the moment due to a DMCA takedown request.

Dirty Love. Joe's Garage. A Token Of My Extreme. Bobby Brown. Friday 19 June Saturday 20 June Sunday 21 June Monday 22 June Tuesday 23 June Wednesday 24 June Thursday 25 June Friday 26 June Saturday 27 June Sunday 28 June Monday 29 June Tuesday 30 June Wednesday 1 July Thursday 2 July Friday 3 July Saturday 4 July Sunday 5 July Monday 6 July Tuesday 7 July Wednesday 8 July Thursday 9 July Friday 10 July Saturday 11 July Sunday 12 July Monday 13 July Tuesday 14 July Wednesday 15 July Thursday 16 July Friday 17 July Saturday 18 July Sunday 19 July Monday 20 July Tuesday 21 July Wednesday 22 July Thursday 23 July Friday 24 July Saturday 25 July Sunday 26 July Monday 27 July Tuesday 28 July Wednesday 29 July Satriani, Vai, Johnson, even Allman, tossed this out there.

But I've got to admit, Dweezil takes it to another level. No Replies Log in to reply. There was an error. General Comment Funny Title. Philadelphia Eagles. General Comment Yeah, So do I!! General Comment From reading the lyrics I get the sense that this song is about how parents of Zappa's fans didn't want their children listing to him. Alley Cat. America Drinks. Amnesia Vivace. Any Kind Of Pain.

Any Way The Wind Blows. Anyway The Wind Blows. Artificial Rhonda. Baby Snakes. Baby, Take Your Teeth Out. Bacon Fat. More Albums. Son of Mr. Green Genes.

ZAPPA, DWEEZIL - My Guitar Wants to Kill Your Mama - spectopscolyfudis.lesesoftstotiratplictorfugafotel.co Music Skip to main content My Guitar Wants to Kill Your Mama Dweezil Zappa Format: Vinyl. Havin' a Bad Day By Dweezil Zappa Dweezil Zappa. out of 5 stars Vinyl. $/5(8).

9 Replies to “My Guitar Wants To Kill Your Mama - Frank Zappa - St. Patricks Day (CD)”

  1. View credits, reviews, tracks and shop for the Vinyl release of My Guitar Wants To Kill Your Mama on Discogs/5(69).
  2. Check out My Guitar Wants To Kill Your Mama by Frank Zappa on Amazon Music. Stream ad-free or purchase CD's and MP3s now on spectopscolyfudis.lesesoftstotiratplictorfugafotel.co1/5(1).
  3. View credits, reviews, tracks and shop for the Cassette release of My Guitar Wants To Kill Your Mama on Discogs.2/5(1).
  4. Dec 31,  · FZ & The Mothers playing My Guitar Wants To Kill Your Mama in Boston, Soundboard recording. Frank Zappa - lead guitar, lead vocals, band leader I.
  5. " My Guitar Wants to Kill Your Mama " is a song written by Frank Zappa and originally recorded by The Mothers of Invention in February at Criteria Studios (Miami), with overdubs recorded sometime between March and May at TTG_Studios (Los Angeles) and Whitney Studios (Glendale, California).Genre: Hard rock, comedy rock, experimental rock.
  6. Aug 10,  · Check out My Guitar Wants To Kill Your Mama by Frank Zappa & The Mothers of Invention on Amazon Music. Stream ad-free or purchase CD's and MP3s now on spectopscolyfudis.lesesoftstotiratplictorfugafotel.co
  7. My guitar wants to kill your mama My guitar wants to kill your mama My guitar wants to burn your dad I get real mean when it makes me mad Later I tried to call you Your mama told me you weren't there She told me don't bother to call again Unless I cut off all my hair I get so tired of sneakin' around Just to get to your back door.

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